It was a battle against ourselves and our own measure of artistic value. I think this was also because neither of us had ever done anything like this before, so we had no standard to measure against, no idea of how far we had to go, except for our own sense of what we wanted it to be – visually, storywise, everything. There were definitely a couple of times over the past few years where we thought we’d never reach the end, whatever the end was going to look like. We’re really happy ourselves to have finished this. Hey guys, congrats on the completion of REBIRTH! How did the Joburg launch on February 8 go? Senekal asked them about the importance of the alternative history that they created, in which Jan van Riebeeck is a vampire, and Browde said that it “is not intended to be a kind of simplistic diatribe against colonialism, and I think readers of the book will see that we haven’t painted a simple picture of ‘evil’ settlers vs ‘good’ first peoples.” Ryba and Browde then spoke about how the project changed since they started conceptualising it in 2008 and discussed the meanings behind the title. They discussed the Johannebsurg launch of Rebirth, with Browde saying that the amount of people that bought their book, “kind of endorsed a hunch that Josh and I had sometimes had, that we were making something really new, something that people in Joburg and South Africa would respond to: a fundamentally South African story told in a fresh and vivid style.” Gerdus Senekal from LitNet caught up with Daniel Browde and Josh Ryba, respectively the writer and the illustrator of Rebirth, to find out more about this graphic novel.

Rebirth by Daniel Browde